Lobuin, Vanesa and Soma are three women from very different parts of the world who face the same problem: climate change. They will lose everything because of the effects of global warming and they will be forced to emigrate to survive.
Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies? In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson. The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.
这部五集纪录片带领观众进入恐龙灭绝后数百万年的史前新时代——冰川时代。
香港红磡地区，富裕的中产阶级高楼耸立如林，林下遍布的却是破旧矮小、等待拆除重建的小楼住宅，以及汇聚于此的殡葬馆，矛盾地载着生者的轿车与亡者的灵车并行。每年，市民会前往附近观音庙祈求财富；当地拾荒者则从路上搜集「废物」，以期回收转化为几块钱。历时五年拍摄，记录红磡日常，重思建设发展与「废物」的意涵。
每一个竞争激烈的赛季，不论赛道内外，一级方程式赛车选手、领队主管还有车队老板都过着赛车般分秒必争的快节奏生活。 剧集不光展现瞬息万变的赛道竞速，记录可能发生的车祸和意外——「比赛就像是一次次心脏病发作」——也将跟随车手了解他们在大赛前后的艰苦训练，讲述他们与家人和车队之间的故事。
该片调查了一个遍布全球、规模达数十亿美元的学术代写产业。在这一体系中，许多受过高等教育却就业不足的肯尼亚人，为世界各地的学生撰写论文和学位论文。影片跟随牛津大学教授Patricia Kingori的研究与调查，揭示了这一隐秘经济的运作方式，并呈现了教育外包所带来的深远影响：一方面，是依靠代写工作维持生计、却长期被低估和低薪对待的肯尼亚写作者；另一方面，则是从中受益的学生与教育机构所面临的伦理与制度问题。
深入直击这场破纪录巡回演唱会的幕后点滴。
通过对哈夫特贝菲尔及其亲友的私密访谈，本片展现了这位德国饶舌偶像的幕后故事，看他如何以不加掩饰的真实角度审视自己的生活。
